The Wind Carried Voices

The night sky raged, restless, ominous
Dark, menacing clouds gathered tightly overhead
Their presence like a festering wound
Bleeding silence before the storm

Chaos above answered by chaos below
The landscape caught between stillness and upheaval
Creeping shadows hunting or seeking refuge
What waits has always been waiting

Gnarled oaks and towering maples lean into the night
Dried leaves, discarded, long since stripped away
Echoes of their rattling filling the crooked lane
A whispered warning to those who dare closer

Metallic night air, like rusted iron on your lips
Like breath in a trapped room that cannot forget the screaming
When shadows clung to the walls like splattered paint
And the wind carried voices that spoke in forgotten tongues

Icy slivers of moonlight found holes in the darkness
The old lane lapped up the energy like a hungry beast
Dry fractured earth where no grass would grow
Perhaps the price was too high, or the interest too high

Five hundred and fifty paces of barren earth and sorrow
At the end, the decrepit manor waited silently
Every door slightly open, windows cracked, unsightly, uncomfortable
Tempting, luring, inviting, even testing the curious to try their luck

Some came close, some too close, their stories now fuel campfire tales
Heavy air they spoke of, thick with something that has no name
And a feeling of dread, one that sinks deep into your bones
Borrowing from something still hidden in the shadowy night

Pained memories or perhaps words to hide the reality
Each step painting their soles with unclean forever marks
Infusing them with the gloom, the darkness, the despair
And yet they came, the long path, what waits beyond

And the wind carried voices – sultry, throaty, seductive
Beckoning those brave souls to complete the journey
Each step taken, closing the gap, the whispers growing
A sickly cloak across your back, an ice-cold arm for comfort

From there, the tale fractures, splitting into layers of madness
Gnawed minds, collapsing thoughts, something boring into their minds
Fear drives the arms to pump, the legs to sprint, no turning back
A clean escape, the grip losing strength, at least this time

Weaker minds surrender, counting down the paces
Undeterred by the creaking wooden staircase, the weight of sadness
The house wasn’t empty, but for them, it was already too late
Darkness had made a choice, and it closed around them like taking ownership

Inside, dust, decay, wallpaper peeled in long, curling strips
Layer upon layer of the past, as though the house was shedding heinous memories
The floorboards didn’t creak so much as complain, low and guttural
Resentment in the weight of a living body, at least for the time being

Dust floated upward in anguishing slow spirals, moving as if it had a purpose
Moving as if it could hold the attention of the condemned
And yet, like the furnishings and the wall hangings, nothing held support
Nothing would give comfort from the voices, for the voices held dominion

Echoes, like fists punching hollow walls, like something aching for escape
A chill crept in while distraction kept the lookers still looking
Something old waited in the shadows, something ancient, something darker
So many rooms, so many choices, so many places to rest forever

But none came close to the cellar door, that was the one that called the loudest
A screaming silence, so thick it coated the flesh, slithered through hair, teased you
Handle cold, shocking to the senses, and when you turned it, the house seemed to exhale
Stairs descending into a darkness that didn’t wait for you to enter, it rose to meet you

Pulling them forward, swallowing their light in ravenous, unruly gulps
Something rose from beneath the ancient boards and forgotten rot, something shifted
Not loudly, not violently, just enough to make them scream out in utter terror
And scream they did, realizing that today was their last day, and the voices were real

Additional Reading

R.J. (Ralph) Schwartz is an American poet, author, website owner, and online publisher. His writing spans several poetry collections—ranging from spiritual and romantic to fear-driven explorations—and even extends into science fiction. Notable works include:

  • Normal Was the First Casualty – A Collection of Dystopian Poetry
  • Hope – Inspirational and Spiritual Poetry
  • Things That Go Bump in the Night – Poetry of Fear and Fright
  • The Lover’s Thread – Poetry for Couples
  • Poetry of the Human Condition – The Ups and Downs of Modern Living
  • The Secrets of the Moon (a sci-fi novel co-authored with his son Sebastian J. Schwartz)

Schwartz’s work is described as purposefully wordy, richly descriptive, and thematically grounded in nature, romance, antiquity, and forgotten histories. He writes regularly on platforms he manages, including The Creative Exiles, a collaborative venue for writers, and The Gypsy Thread, which delves into offbeat histories, pagan lore, and poetry.

R J Schwartz
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R J Schwartz

I write about everything and sometimes nothing at all. I'm fascinated by old things, rusty things, abandoned places, or anywhere that a secret might be unearthed. I'm passionate about history and many of my pieces are anchored in one concept of time or another. I've always been a writer, dating back to my youth, but the last decade has been a time of growth for me. I'm continually pushing the limitations of vocabulary, syntax, and descriptive phrasing.

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